There’s a moment at the end of one of my favourite Slovak movies, Pink Dreams (or Ruzové Sny) which I really hope is prophetic. At the very least, it has not lost any of its relevance 37 years on and – like the film as a whole, really – is a brave, brave vision for Slovak cinema.
I do not like to reveal endings to films but in this case, I don’t think talking about this scene spoils anything.
Dusan Hanák’s Pink Dreams is about young love, somewhere in the Eastern Slovak countryside. Young love, no less, between a white postman (name of Jakub) and a pretty gypsy (Jolanka).
And at the very end of the film, the dream sequences which have been growing in frequency throughout (confusing the viewer whether they are in fact watching what happens or what the vivid imaginations of the main characters would like to happen) suddenly take over. And everyone in the film is dancing together. All the white characters of the film as well as the gypsies. It really seems – for one beautifully put-together scene – like the problems which have plagued the main characters throughout are at last over, and that all are united.
Wouldn’t it be nice if that was the reality in Slovakia today, too? White Slovaks and Roma Slovaks dancing together…
Well. It was a cracking good movie anyway.
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